Calls for Papers
PASC hosts an annual symposium during the fall semester (generally November or December),
posting a Call for Papers, performances, lightning presentations and miscellany during the summer.
Please check back with our site, and follow us on Twitter, Instagram or Facebook to stay up to date.
Join our mailing list by sending an email to [email protected], with the subject: mailing list.
Thank you for your interest.
posting a Call for Papers, performances, lightning presentations and miscellany during the summer.
Please check back with our site, and follow us on Twitter, Instagram or Facebook to stay up to date.
Join our mailing list by sending an email to [email protected], with the subject: mailing list.
Thank you for your interest.
PASC's upcoming symposium, date TBD:
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“Ad Absurdum: The Politics and Poetics of Absurdity in Avant-Garde Art and Thought” took place online
Friday, December 4, 2020, 1 to 4 p.m. (U.S. Eastern Time)
Friday, December 4, 2020, 1 to 4 p.m. (U.S. Eastern Time)
Participants from past symposia
and more about their projects:
'Invisible City,' an exploration of all that's avant garde in the City of Philadelphia, was on view at University of the Arts and Pennsylvania Academy of the Fine Arts from January 21, 2020, until the Covid-caused shutdown.Invisible City is also a database, with a searchable chronology, interviews and more. This comprehensive project is a boon to artists, curators, scholars, researchers--and Philadelphia.
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Thomas Patteson, Professor of Music History, Curtis Institute of Music, spoke about 'Abstract Machines in Experimental Music' at PASC's Dec. 7, 2018, symposium. Among highlights of his talk was an audience hoot-along with a recording of John White's 'Drinking and Hooting Machine' (1968).
For more about Thomas Patteson's work, visit his website.
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Katie Hubbell dazzled us with 'Dreamsicle, Dreamcycle' at the 2018 symposium.
To hear it and learn more about her work, visit her website.
To hear it and learn more about her work, visit her website.
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